In the archive talk (only in german) with Maren Lübbke-Tidow, the artist Gosbert Adler outlines his long-standing relationship with Michael Schmidt. He reports on why Schmidt’s images initially generated resistance and what hierarchies prevailed in the Werkstatt für Photographie. Adler explains the influence of the Wedding work group on his own work and why programme combined with discourse can be formative for photography students.
